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This . agent is nattily dressed for sure, but his half-baked scheme—to blow up a Mexico City stadium during a Day of the Dead celebration—is easily foiled by Bond before a quick fight has him falling to his death from a helicopter. 

Marilyn and Milton Greene shared a special bond. Not only were they personal friends, she even lived with his family for a time in the 1950s. I imagine this as a happy period for her. She felt completely safe with him in a way she rarely did with anyone. It shows. The great photographer Henri Cartier-Bresson once said that capturing the right image on film was an act of extraordinary physical and intellectual joy. As it turns out, that concept works both ways, for the photographer and the viewer. Greene clearly wanted us to see the woman others seldom glimpsed or even imagined. He succeeds brilliantly in that ambition. The glorious thing is it’s all here in this fabulous photo collection, one for the ages. For the Marilyn fan, it doesn’t get much better.

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Videodrome (1983) , 87 minutes, D: David Cronenberg
In director David Cronenberg's terrorizing and shocking hallucinatory tale of erotic science fiction, Max Renn (James Woods) - the sleazy owner-director-producer of an X-rated Toronto cable TV station, became enticed (and obsessed) by his own pirated TV show called Videodrome that specialized in ultra-violent "snuff" films. The film's theme was the prophetic prediction that TV would replace 'real-life', as conspirators in a nightmarish cult wanted to entice (control and manipulate) the docile, consumer-oriented masses by marathon television watching (of extreme sex and violence). Renn also became mind-controlled and infected, leading to his brain mutating and developing fatal tumors, causing him to have many disturbing, mind-altering visions. Villains were able to forcefully insert videotapes into a slot in his abdomen to "play" him - causing him to be both "raped" and "programmed" - ultimately leading to his own suicidal self-destruction ("Long live the new flesh").

 · Show producer and film historian Allen Etrin's list of must-see American films as approved by Dennis Prager.


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